One of the greatest aspects of African culture is that there was a paradigm of community love, development and a love for excellence in education, for tens of thousands of years, amongst hundreds of ethnic groups, all over the continent.
The Corporate Oligarchy understood that this aspect of youth culture had to be surgically removed from newly captured Africans, via torture both psychological and physical, in order to keep the youth of African people absent of any fabric of culture and open to mind control.
Before integration, there was a code of behavior among Black youth after reconstruction in the North and South, regardless pacific or Atlantic;
Dr Clarke mentions this in "A Great and Mighty Walk"http://video.google.com/videoplay?docid=-5784756819358533059
After integration, there was a spirit of Hightened and Actively Focused Consciousness coming from the Black youth both moderate, and militant, that said "we do not trust the story of integration being enough as if we can be pacified, there is much more that we demand!"
The youth in the South , were demanding not just voter rights but voting strategy and alternatives to the white political parties, and they worked hard to help Fannie Lou Hamer in these efforts.
The youth in the north were demanding basic human rights and the Black Power Movement was formed by the youth, and these young activities both North and South scared the hell out of white supremacy.
So they needed a solution, eclipse this rising sun from the grassroots, so they according to Chancellor Williams flooded the community with hard drugs sold on pennies to the dollar, at a loss to the importers and a profit to already economicialy disenfrachised vendor, and then control the music!
The music went from this;
To this:
The Afrocentric Movement and Black Power Movement
was replaced by a
"Do your Own Thing Culture"
we stopped wearing Dashikis, and instead pimp styled, hats canes, Maxi coats, cuffed bell bottoms, and platform shoes
and families that before would stay together and try to make things work, were breaking up left and right, and practically everyone had a friend, family member or coworker that got messed on coke.
The popular symbol worn around the neck went from the Ankh, to the coke spoon!
Groups like Earth Wind and Fire, Mtume, Mandrill, Roy Ayers,
Sun Ra, Pharoah Sanders Osibisa, and Manu Dibango
, enraged the oligarchal culture manipulators, because they dared to awaken folks out of a chemical high and into conscious raising.
Their chess move, get rid of music in the schools, instruments, glee clubs, musical appreciation, the whole works, so that there wont be a new generation of musicians to upset their plans.
But in the 80s resourceful young men and women, took what they had available as AV in the schools, record players, microphones and speakers, and created a new form of music, rap;
From rap cam an exciting Hip Hop culture, to allow innercity Black youth the means for musical expression,
however this was observed, and those elements that tried to restore the "Old African Paradigms,
through conscious rap
were put down quickly and what did flourish was music that was genocidal, via gangsta rap that celebrated shooting and killing one another.
Artist who followed this path were paid lovely, so as to squelch any militancy in the youth, the added element of a new drug craze,
had to be added, as the coke faze was added to slow movements before.
The bootlegger Zionist organized crime family of Bronfman, developed Death row record to actually promote just that.
and it worked; Not only did it decrease the Black male population, but it profited the industry of the Prison Industrial Complex, increased insurance rates, and devalued real estate, causing many Blacks to vacate the hood, allowing white developers to buy prime real estate for pennies on the dollar.
Once whites moved into those ares the drugs were cleaned up over night.
The conspiracy of regentrification
The Corporate Oligarchy understood that this aspect of youth culture had to be surgically removed from newly captured Africans, via torture both psychological and physical, in order to keep the youth of African people absent of any fabric of culture and open to mind control.
Before integration, there was a code of behavior among Black youth after reconstruction in the North and South, regardless pacific or Atlantic;
Dr Clarke mentions this in "A Great and Mighty Walk"http://video.google.com/videoplay?docid=-5784756819358533059
After integration, there was a spirit of Hightened and Actively Focused Consciousness coming from the Black youth both moderate, and militant, that said "we do not trust the story of integration being enough as if we can be pacified, there is much more that we demand!"
The youth in the South , were demanding not just voter rights but voting strategy and alternatives to the white political parties, and they worked hard to help Fannie Lou Hamer in these efforts.
The youth in the north were demanding basic human rights and the Black Power Movement was formed by the youth, and these young activities both North and South scared the hell out of white supremacy.
So they needed a solution, eclipse this rising sun from the grassroots, so they according to Chancellor Williams flooded the community with hard drugs sold on pennies to the dollar, at a loss to the importers and a profit to already economicialy disenfrachised vendor, and then control the music!
The music went from this;
To this:
The Afrocentric Movement and Black Power Movement
was replaced by a
"Do your Own Thing Culture"
we stopped wearing Dashikis, and instead pimp styled, hats canes, Maxi coats, cuffed bell bottoms, and platform shoes
and families that before would stay together and try to make things work, were breaking up left and right, and practically everyone had a friend, family member or coworker that got messed on coke.
The popular symbol worn around the neck went from the Ankh, to the coke spoon!
Groups like Earth Wind and Fire, Mtume, Mandrill, Roy Ayers,
Sun Ra, Pharoah Sanders Osibisa, and Manu Dibango
, enraged the oligarchal culture manipulators, because they dared to awaken folks out of a chemical high and into conscious raising.
Their chess move, get rid of music in the schools, instruments, glee clubs, musical appreciation, the whole works, so that there wont be a new generation of musicians to upset their plans.
But in the 80s resourceful young men and women, took what they had available as AV in the schools, record players, microphones and speakers, and created a new form of music, rap;
From rap cam an exciting Hip Hop culture, to allow innercity Black youth the means for musical expression,
however this was observed, and those elements that tried to restore the "Old African Paradigms,
through conscious rap
were put down quickly and what did flourish was music that was genocidal, via gangsta rap that celebrated shooting and killing one another.
Artist who followed this path were paid lovely, so as to squelch any militancy in the youth, the added element of a new drug craze,
had to be added, as the coke faze was added to slow movements before.
The bootlegger Zionist organized crime family of Bronfman, developed Death row record to actually promote just that.
and it worked; Not only did it decrease the Black male population, but it profited the industry of the Prison Industrial Complex, increased insurance rates, and devalued real estate, causing many Blacks to vacate the hood, allowing white developers to buy prime real estate for pennies on the dollar.
Once whites moved into those ares the drugs were cleaned up over night.
The conspiracy of regentrification