Black People : Christian Louboutin celebrates the black woman

Discussion in 'Black People Open Forum' started by jamesfrmphilly, Jun 22, 2011.

  1. jamesfrmphilly

    jamesfrmphilly going above and beyond PREMIUM MEMBER

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    Christian Louboutin’s shoes are coveted the world over by ladies who lunch and even by rappers who refer to them as “red bottoms”. Though now mainstream because of their popularity and distinctive soles, his pieces are still a splurge for most, showing the stark difference between notoriety and affordability.

    Monsieur Louboutin’s footwear have often been called wearable works of art and for his Fall 2011 lookbook, he is bringing that statement to life. He tapped photographer Peter Lippmann to recreate classical paintings, showcasing art, but also his new collection.

    One of the pieces he chose was Portrait d’une négresse which was painted by Marie-Guillemine Benoist in 1800. It features a young black woman with an exposed breast. It was painted six years after slavery was abolished, thus it became a symbol of emancipation for black people as well as for women.

    Out of all the paintings Christian Louboutin chose, it is amazing that he was inspired by the image on the left. Black women the world over love his designs from Oprah Winfrey to Rihanna and it is past due for a luxury accessories designer like himself to recognize black women in a lookbook as we so avidly purchase and wear his pieces. The image represents the beauty of the black female form, which has come under great scrutiny of late.

    He is also giving us an art history lesson. So many designers are inspired by art from the past as well as the present, and Christian Louboutin is urging us to step outside the normal confines of fashion and explore further. It is always said that luxury is a lifestyle and he is putting true meaning to that statement.

    Here is some more information on the shoe included in the lookbook image:

    “Marie-Guilleme Benoit’s masterpiece, Portrait d’une negresse, has long been held as a symbol of emancipation and a fine balance between steely determination and femininity. The contrast between the model and her garments is echoed in the Balda Booty, where supple ivory nappa meets ebony patent leather. The stark contrast created through the fusion of fabrics and colour is softened by the delicate ballerina style ‘pointe’ toe and fine ankle strap detailing.”

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