Black Spirituality Religion : ❤ Ʈhe Ꭾerfection of 乃lack W̸̘͎͇͉̻̭̞͍̙̌omen

Perfection

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Aug 21, 2012
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I would like to demonstrate the Perfection of Black Women. How I will accomplish that will be in layers so we may have a chain of posts. What I mean by layers is that there are certain prerequisites that must be understood in order to capture the concept. If anyone is interested please feel free to comment, question or challenge what you desire.

All concerns will be addressed to the point at least we may continue to the next phase.

I'm not sure if I'm allowed to post pictures...but I have plenty that I would like to share to further demonstrate the Perfection theme.

One final thing before we go on. Please be open-minded. Remember there are many things, many things, which we have never been introduced to. For that reason, may I request a new level of awareness.

Having said that, as with all things graceful and beautiful, let us begin with Black Women.

To begin to see Black Women as Perfect beings is to know that Perfection contains many permutations or, shall we say, aspects. My research demonstrates that Black Women are the full constitution of all things which are beautiful, intelligent and sophisticated. What some of us may think we see as "negative" here in the West is a modern construct, smoke and mirrors, you might say, to keep people in general, and Black Women in particular from recognizing her awesome powers.

These awesome powers range from her bringing into existence those pyramids (all of them) as well as predating Judaic, Islamic and Christian belief systems. All that can be proven. What else can be proven is that many of the male personas in Kemet (and elsewhere) either did not exist or they were invented as male from an operational divesture move of academia. In other words, the stolen legacy of our Mother Queen. Hapi is a Black Woman along with Ankhnaten, Ptah, Rameses and the chain of Kemetic favorites. The ankh is the Black Woman's along with her other sceptres. You may ask, what does that have to do with Perfection? It has much to do with it especially as it relates to Black Women knowing what specific legacy belongs to them.

Does this take away from us as black men? Of course it doesn't. This is not about emotionalism but objective data. Black men are still great. We are still powerful. We are still strong warriors. But we must no longer avoid questioning how and what type of information was admitted into the stream of awareness.

We begin with beauty which is an aspect of Perfection. So then we find Ishakamusa Barashango, author of African Woman:The Original Guardian Angel writing:

“The original Black Woman was the first model and standard of feminine beauty. She represented the epitome of graciousness. The sublime elegance of her corn-rowed or bushy hair, the dignity of her facial comeliness with her broad nose and delectable full lips and the awe inspiring curves of her voluptuous form was the subject of artists all over the world around 40,000 years ago.” [Washington, D.C.: IV Dynasty Publishing Company, page 47).
 
I would like to demonstrate the Perfection of Black Women. How I will accomplish that will be in layers so we may have a chain of posts. What I mean by layers is that there are certain prerequisites that must be understood in order to capture the concept. If anyone is interested please feel free to comment, question or challenge what you desire.

All concerns will be addressed to the point at least we may continue to the next phase.

I'm not sure if I'm allowed to post pictures...but I have plenty that I would like to share to further demonstrate the Perfection theme.

One final thing before we go on. Please be open-minded. Remember there are many things, many things, which we have never been introduced to. For that reason, may I request a new level of awareness.

Having said that, as with all things graceful and beautiful, let us begin with Black Women.

To begin to see Black Women as Perfect beings is to know that Perfection contains many permutations or, shall we say, aspects. My research demonstrates that Black Women are the full constitution of all things which are beautiful, intelligent and sophisticated. What some of us may think we see as "negative" here in the West is a modern construct, smoke and mirrors, you might say, to keep people in general, and Black Women in particular from recognizing her awesome powers.

These awesome powers range from her bringing into existence those pyramids (all of them) as well as predating Judaic, Islamic and Christian belief systems. All that can be proven. What else can be proven is that many of the male personas in Kemet (and elsewhere) either did not exist or they were invented as male from an operational divesture move of academia. In other words, the stolen legacy of our Mother Queen. Hapi is a Black Woman along with Ankhnaten, Ptah, Rameses and the chain of Kemetic favorites. The ankh is the Black Woman's along with her other sceptres. You may ask, what does that have to do with Perfection? It has much to do with it especially as it relates to Black Women knowing what specific legacy belongs to them.

Does this take away from us as black men? Of course it doesn't. This is not about emotionalism but objective data. Black men are still great. We are still powerful. We are still strong warriors. But we must no longer avoid questioning how and what type of information was admitted into the stream of awareness.

We begin with beauty which is an aspect of Perfection. So then we find Ishakamusa Barashango, author of African Woman:The Original Guardian Angel writing:

“The original Black Woman was the first model and standard of feminine beauty. She represented the epitome of graciousness. The sublime elegance of her corn-rowed or bushy hair, the dignity of her facial comeliness with her broad nose and delectable full lips and the awe inspiring curves of her voluptuous form was the subject of artists all over the world around 40,000 years ago.” [Washington, D.C.: IV Dynasty Publishing Company, page 47).

peace

Gomar Oz Dubar

Wisdom, Strength & Beauty

I've been trying to tell 'em for the longest. Can't wait to see what you present to us..
 
"It is the best of biographers," writes Ivan Van Sertima (1994) in his Egypt: Child of Africa, "who record not only the strength and weaknesses of important leaders or thinkers but see them through critical lenses grounded and tinted by the context of their place and time." (page 7).

info-moetry I thank you for having already spoken on many of the things concerning our Black Women and I do hope the data I present to this beautiful house is not too repetitive.

Besides the prominent facts that show Queen Ankhnaten with them big beautiful Black Woman hips, small waist and breasts, what I find most interesting is the ballistic data is completely ignored in lieu of mostly wishful thinking and some postulations of philosophy. There's absolutely nothing wrong with philosophy except when certain situations are available which could subsidize a particular query at hand. In short, what is never advanced or offered is the ballistic analysis available concerning Queen Ankhnaten. Before we proceed make a note that this infortmation is cogent in so far as we believe mortals were able to acquire the skeletal remains of certain divine black bodies.

Now if you check out the article “Nefertiti’s Regality” by Julia Samson (1977) you will find Fig. 2 being described as her wearing “her own distinctive crown with uraeus, surmounted by disc, plumes, and ram’s horns.” But we find in the male Akhenaten in Aldred’s Akhenaten and Nefertiti with the same exact look and crown. This on page 53 and 100 (No. 14). But Julia Samson seems to have anticipated someone like us would one day come along and figure it out so this Samson writes:

“This type of crown with the ram’s horns, disc, and plumes is also worn by Akhenaten.”(page 92).

Incidentally, now that we are in to the forensics discussion, the burial was also believed to be that of Smenkhkare, Brother of “King Tut,” according to D.E. Derry. (See Alan Gardiner’s piece "The So-called Tomb of Queen Tiye," page 11). So if both of them are wearing the same thing, and they look alike, and both buried in a Queen's fashion, how in the world are they telling them apart is the question. And if they look alike and they are dressing alike, and buried alike, then we should consider the report (1907) of Elliot Smith which in part can be found in Aldred and Sandison’s piece:

In considering this difficult problem I naturally turned to consider those pathological conditions which might cause delay in the union of the epiphyses. Of these, the most likely seemed to be the syndrome described by Froelich in 1900, now known as dystrophia adiposogenitalis.

In patients presenting this condition cases have been recorded in which the bones at 36 years of age revealed the condition which in the normal individual they show at 22 or 23, so this suggested the possibility of bringing the anatomical evidence into harmony with the historical data. In support of this solution there are the very peculiar anatomical features of Akhenaten when alive, which have been made familiar to us by a large series of contemporary portraits.
Forty years ago archaeologists were puzzled by the pictures of this Pharaoh, and it was suggested that he was a woman masquerading as a man.

In light of our present knowledge, however, they seem to be quite distinctive of Froelich’s syndrome and afford valuable support to the suggestion that this was the real cause for the delay in the fusion of the epiphyses. In addition to this, the skull-both the brain-case and the face-reveals certain important peculiarities.

There is a slight degree of hydrocephalus such as is often associated with Frolich’s syndrome and also an over-growth of the mandible, such as may result from the interference with the pituitary. (page 50).

These remains, that purports to be Akhenaten’s “were first examined in position in the tomb by Dr. Pollock of Luxor and ‘a prominent American obstetrician’on the invitation of Theodore M. Davis. Both surgeons were emphatic in pronouncing the ‘roomy’ pelvis to be that of a woman.”(page 49, bold mine).
 
I'm not sure if I'm allowed to post pictures...but I have plenty that I would like to share to further demonstrate the Perfection theme.


Perfection ... once you reach 25 posts, you will be past the New Member Probation Period ... which i have yet to officially announce even exists (in fact, i just gave it that official name) ... :look: ... well, once you have 25 forum posts you'll be able to post images as well as gain access to a host of other features. I'm so behind on this, but just so you can know the answer to your concern ... here i am ... :)

Enjoying your posts and looking forward to more.

Thanks for sharing with us.

Much Love and Peace.

:heart:

Destee
 
Perfection ... once you reach 25 posts, you will be past the New Member Probation Period ... which i have yet to officially announce even exists (in fact, i just gave it that official name) ... :look: ... well, once you have 25 forum posts you'll be able to post images as well as gain access to a host of other features. I'm so behind on this, but just so you can know the answer to your concern ... here i am ... :)

Enjoying your posts and looking forward to more.

Thanks for sharing with us.

Much Love and Peace.

:heart:

Destee

Many thanks to you Queen Motha :)
 

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